The following extracts are from Kenneth Grant, from the book 'Nightside of Eden'.
..."The
number of Kia, 31, is also that of AL, the key of The book of the Law,
and in this sense Kia may be said to be the eye of Nuit, the Ain, which
is the 'other' or 'secret' eye, (i.e. the vulva), typified by the anus
of Set."
Which 'AL' are we talking about? Weird Al
Yankovic? Remind me again why am I reading about the anus of Set at this
time of the night and I will be grateful. Also, while you're at it
bring me an ice-cream because all this Tree of Life talk always gives me
the munchies.
"The 23rd kala is under the dominion of Malkunofat who lies in the depth of the watery abyss."
I
mean no surprises there, it's been raining on and off for a week,
watery abyss is but a mere understatement of the situation. Plus fat
creatures generally fare better in water. Like whales and my aunt
Eustacia. Besides, if I don't find a place to pee soon, the watery abyss
will be augmented. Seriously. But to be honest with you, I pity the
23rd koala. What happens if Malkunofat accidentally trips and squashes the
poor fucker?
"He may be aroused by a shrill stridulation of his name in the key of 'G' sharp (upper register)."
Now,
why would I want to do that? I mean we have just started getting to
know each other and all. Plus that stridulation thingie sounds suspiciously like
strangulation, only applied to strings. I wonder what it means. Sounds
very interesting. No honey, no stridulation tonight, I have a headache.
Don't get aroused on my behalf.
http://www.thefreedictionary.com/stridulation
v. strid·u·lat·ed, strid·u·lat·ing, strid·u·lates
v.intr.
To produce a shrill grating, chirping, or hissing sound by rubbing body parts together, as certain insects do.
v.tr.
To produce by rubbing body parts together: "The crickets stridulated their everlasting monotonous meaningful note" (John Updike).
See? Rubbing together body parts. I was certain he was referring to sex somehow.
Here
is an example of a writer that beats my brain black and blue through
his writing but at least I understand what he wanted to say:
"When you move into the level of dream
consciousness, all the laws of logic change. There, although you think
you are seeing something that is not you, it is actually you that you
are seeing, because the dream is simply a manifestation of your own will
and energy – you created the dream and yet you are surprised by it. So
the duality there is illusory. There, subject and object, though
apparently separate, are the same."
"The realms of the Gods and Demons – heaven, purgatory, hell – are of
the substance of dream. Myth, in this view, is the dream of the world.
If we accept gods as objective realities, then they are the counterpart
of your dream – this is a very important point – dream and myth are of
the same logic … and since the subject and the object seem to be
separate but are not separate in the dream, so the god that seems to be
outside you in myth (or religion, if you prefer) is not different from
you. You and your god are one … All the heavens and gods are within you
and are identical with aspects of your own consciousness on the dream
level."
Joseph Campbell, Myths of Light, p.70
Here is a more demanding extract by the same author:
"[T]he idea of survival after death is about
conterminous with the human species; so also that of the sacred area
(sanctuary), that of the efficacy of ritual, of ceremonial decorations,
sacrifice, and of magic, that of supernal agencies, that of a
transcendental yet ubiquitously immanent sacred power (mana, wakonda,
sakti, etc.), that of a relationship between dream and the mythological
realm, that of initiation, that of the
initiate (shaman, priest, seer, etc.), and so on, for pages. No amount
of learned hair-splitting about the differences between Egyptian, Aztec,
Hottentot, and Cherokee monster-killers can obscure the fact that the
primary problem here is not historical or ethnological but psychological
– even biological; that is to say, antecedent to the phenomenology of
the culture styles ..."
- Joseph Campbell, The Flight of the Wild Gander, p. 50
Can you tell the difference? I can.