Monday, December 03, 2012

Occult books: an example why as a rule I don't read them.

 The following extracts are from Kenneth Grant, from the book 'Nightside of Eden'.

..."The number of Kia, 31, is also that of AL, the key of The book of the Law, and in this sense Kia may be said to be the eye of Nuit, the Ain, which is the 'other' or 'secret' eye, (i.e. the vulva), typified by the anus of Set."

Which 'AL' are we talking about? Weird Al Yankovic? Remind me again why am I reading about the anus of Set at this time of the night and I will be grateful. Also, while you're at it bring me an ice-cream because all this Tree of Life talk always gives me the munchies.

"The 23rd kala is under the dominion of Malkunofat who lies in the depth of the watery abyss."

I mean no surprises there, it's been raining on and off for a week, watery abyss is but a mere understatement of the situation. Plus fat creatures generally fare better in water. Like whales and my aunt Eustacia. Besides, if I don't find a place to pee soon, the watery abyss will be augmented. Seriously. But to be honest with you, I pity the 23rd koala. What happens if Malkunofat accidentally trips and squashes the poor fucker?

"He may be aroused by a shrill stridulation of his name in the key of 'G' sharp (upper register)."

Now, why would I want to do that? I mean we have just started getting to know each other and all. Plus that stridulation thingie sounds suspiciously like strangulation, only applied to strings. I wonder what it means. Sounds very interesting. No honey, no stridulation tonight, I have a headache. Don't get aroused on my behalf.

http://www.thefreedictionary.com/stridulation
v. strid·u·lat·ed, strid·u·lat·ing, strid·u·lates
v.intr.
To produce a shrill grating, chirping, or hissing sound by rubbing body parts together, as certain insects do.
v.tr.
To produce by rubbing body parts together: "The crickets stridulated their everlasting monotonous meaningful note" (John Updike).

See? Rubbing together body parts. I was certain he was referring to sex somehow.

Here is an example of a writer that beats my brain black and blue through his writing but at least I understand what he wanted to say:

"When you move into the level of dream consciousness, all the laws of logic change. There, although you think you are seeing something that is not you, it is actually you that you are seeing, because the dream is simply a manifestation of your own will and energy – you created the dream and yet you are surprised by it. So the duality there is illusory. There, subject and object, though apparently separate, are the same."

"The realms of the Gods and Demons – heaven, purgatory, hell – are of the substance of dream. Myth, in this view, is the dream of the world. If we accept gods as objective realities, then they are the counterpart of your dream – this is a very important point – dream and myth are of the same logic … and since the subject and the object seem to be separate but are not separate in the dream, so the god that seems to be outside you in myth (or religion, if you prefer) is not different from you. You and your god are one … All the heavens and gods are within you and are identical with aspects of your own consciousness on the dream level."

Joseph Campbell, Myths of Light, p.70


Here is a more demanding extract by the same author:

"[T]he idea of survival after death is about conterminous with the human species; so also that of the sacred area (sanctuary), that of the efficacy of ritual, of ceremonial decorations, sacrifice, and of magic, that of supernal agencies, that of a transcendental yet ubiquitously immanent sacred power (mana, wakonda, sakti, etc.), that of a relationship between dream and the mythological realm, that of initiation, that of the initiate (shaman, priest, seer, etc.), and so on, for pages. No amount of learned hair-splitting about the differences between Egyptian, Aztec, Hottentot, and Cherokee monster-killers can obscure the fact that the primary problem here is not historical or ethnological but psychological – even biological; that is to say, antecedent to the phenomenology of the culture styles ..."

- Joseph Campbell, The Flight of the Wild Gander, p. 50

Can you tell the difference? I can. 

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